Kes
Posted: 25 Oct 2009
Kes, Darlington Civic Theatre
Few British movies have endured better than the 1969 film version of A Kestrel for a Knave – but the story of the delinquent misfit who finds meaning in a kestrel hawk demands great care in translation to the stage.
Happily, The Touring Consortium – contracted by the Arts Council – more than meets the challenge in the third national theatre production in the last 18 years.
Writer Lawrence Till and director Nikolai Foster have expertly captured the deprivation of a south Yorkshire mining community that author Barry Hines laid bare on the printed page four decades ago.
All the bleak despair of schoolboy Billy Casper’s existence – a vanished father, an uncaring mother, a bullying elder brother and a self-defeating education system – is skilfully brought into focus.
But Till also expands on the emotionally damaging effects of Billy’s absent father – “’e went away when aa were six” – on the young anti-hero.
Stefan Butler’s memorable portrayal of Billy is a genuine tour de force for one so young, and there is able support from Mike Burnside and Daniel Casey (colleagues of Butler on The Bill), plus Katherine Dow Blyton (Hollyoaks) as Mrs Casper.
Billy, with the aid of a stolen falconry manual, finds solace and direction in raising a fledgling kestrel, with which he forges the bonds he cannot forge with his fellow humans.
There is no live bird on stage – only an artificial dead one, callously slaughtered by brutal brother Judd in revenge for Billy keeping his winning horse-racing bet to buy meat scraps for his beloved Kes.
In a poignant final dream scene, Billy implores the father he scarcely knew to “never let me fall”: but Billy is a victim of society and there is no one to stop his irreversible fall.
Paul Tully
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